An epic retelling of an interesting chapter from Maratha history

Soon after Farzand and Fatteshikast, Digpal Lanjekar’s first two motion pictures in the series of movies devoted to the bravery of Chhatrapati Shivaji Maharaj and the Maratha military, the writer-director returns with a bang in the 3rd film of the collection – Pawankhind.

The movie, which was delayed thanks to the pandemic, is based mostly on a single of the most famed incidents from Maratha historical past – the Fight of Pavan Khind. At the outset, the makers make it apparent that this is not a comprehensive documentation of the struggle, its prelude or aftermath, but a cinematic recreation intended to showcase the bravery of the Marathas included in this battle. So, there are cinematic liberties taken in this retelling, but the crux of the story is taken care of.

The tale about the Struggle of Pavan Khind (before identified as Ghod Khind) and the bravery exhibited by Bajiprabhu Deshpande and the Bandal military of 600 versus the Siddhi Masud and the soldiers of the Adilshahi Sultanate is effectively identified throughout Maharashtra. The end result – Chhatrapati Shivaji Maharaj’s productive escape from Panhalgad to Vishalgad. But, does Lanjekar realize success in recreating this vital chapter from Marathi background on monitor? Completely!

Pawankhind is a extensive cinematic practical experience that is match for the major monitor. The film is formidable in making an attempt to explore this story in two and a half hours, but it largely succeeds in producing the ideal make up and atmosphere that sales opportunities to a fantastic climax. From laying out the cause and the figures associated in it, to the siege of Panhala by Siddhi Jauhar, the escape system and the genuine struggle, Pawankhind lays out all its playing cards in entrance you chronologically, while inducing a dose of historical past, drama and even comedian relief in involving. The film doesn’t miss out on supplying owing credit history to the the greater part of the generals who helped Shivaji Maharaj realise his desire of Swarajya.

As for the actors, it’s not an straightforward job to provide some of the most nicely –known names from the Marathi movie and Television industry together in a multi-starrer of this scale. But the casting section and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal each individual actor has offered his finest to their roles. Even the supporting solid has some unforgettable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. A different noteworthy functionality that stands out is that of Ajinkya Nanaware as Shiva Kashid, the male who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are sure to carry tears to your eyes.

Whilst Pawankhind excels in storytelling, the technical elements, nevertheless very good, could have been improved. The background score overpowers dialogues in some essential scenes, and the motion choreography in some scenes fails to make the minimize. Even so, all explained and done, the overall crew has done its most effective to make this a major display screen experience. It’s possible with a more substantial funds, these points can be ironed out in the next films of Lanjekar’s series.

For now, Pawankhind is a good observe, and at the cinemas only.

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